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Product Weakness: Extreme Highs not as good as best, amp fussy, big, need careful placement to sound best. Product Strengths: Powerful, efficient, musical, great imaging, low distortion, can be easily adjusted to be forgiving/Detailed/Transparent/MusicalAssociated Equipment for this Review:Amplifier: GVD Audio P6500 - Parasound HCA 500Preamplifier (or None if Integrated): Dared TubeSources (CDP/Turntable): CD ChangerSpeakers: B&W 801's - Polk SRS 2's - Von Schweikert Vortex ScreensCables/Interconnects: Radio Shack Flat speaker wire in true bi wireMusic Used (Genre/Selections): all kindsRoom Size (LxWxH): 20 x 24 x 8Room Comments/Treatments: suspended sloped ceiling, my fat assTime Period/Length of Audition: 2 yearsOther (Power Conditioner etc.): PowerVarType of Audition/Review: Product Owner

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*The contact angle is given for the mean radial play of the range shown, i.e., for P25 (.0002 to .0005), contact angle is given for .00035.

As a result of the previously described looseness or play, which is permitted to exist between the components of most ball bearings, the inner ring can be cocked or tilted a small amount with respect to the outer ring. This displacement is called free angle of misalignment. The amount of misalignment allowable in a given ball bearing is determined by its radial play and track curvature values. Misalignment has positive practical significance because it enables a ball bearing to accommodate small dimensional variations that may exist in associated shafts and housings. The performance of a misaligned bearing will be degraded to a certain extent, but for slight misalignments under reasonably light loads, the effects are not significant in most cases. In general, the amount of misalignment a bearing is subject to by the shaft and housing's physical arrangement should never exceed the bearing's free angle of misalignment. Free angle of misalignment is typically less than one degree.

Axialplayin shaft

The contact angle of thrust loaded bearings provides an indication of ball position inside the raceways. When a thrust load is applied to a ball bearing, the balls move away from the median planes of the raceways and assume positions somewhere between the deepest portions of the raceways and their edges.

Raceway curvature is the ratio of the raceway radius to ball diameter. Typically, raceway curvature values are either 52 to 54 percent or 57 percent. The lower 52 to 54 percent curvature implies close ball-to-raceway conformity and is useful in applications where heavy loads are encountered. The higher 57 percent curvature is more suitable for torque sensitive applications.

17mm Bore x 40mm OD 12.0mm W Single Row Deep Groove Radial Ball Bearing. Deep Groove Radial Ball Bearing. Fastenal Sku: 0474390. Online Price: $6.2800 / each.

REVIEW: Klipsch Klipsch CF 3 Speakers Model: Klipsch CF 3Category: SpeakersSuggested Retail Price: $2500.00Description: Dual 10%22 Neo Magnet Woofers With 2%22 Throat Neo Compresion Driver And Tractrix HornManufacturer URL: KlipschReview by ka7niq on March 18, 2008 at 23:00:37IP Address: 72.64.158.90Add Your Reviewfor the Klipsch CF 3The Klipsch Epic Series speakers were Klipsch's attempt at a "high end" sound.There are several models in the Epic Series, the CF 2, an dual 8" with a Horn, the CF 3 - A dual 10" speaker with a horn in the center, and the CF 4, a dual 12" with a horn.The cone drivers are of very high quality, and use Neodym Magnets.The compression driver has a 2" throat, and also uses Neo Magnets in the CF 3 and CF 4.The CF 2 uses a phenolic diaphragm compression driver, not sure of it's magnets.The CF 3 and CF 4 use an aluminum dome compression driver with Neodym magnets coupled to a Tractrix horn centered between the cone drivers.The crossover provides for easy bi wiring AND Passive Biamp, more on that later.The Epic series did not sell very well, and was not well received by the Klipsch dealers.It did not have that typical Klipsch sound {Thank God}, and was not as efficient as other Klipsch speakers.Being a quasi D'Appolito type array meant you had to sit down to really hear it, unlike the other Klipsch speakers that sounded "good" standing up.As a result of the dealers slow sales of the Epic Series, Klipsch Marketing Salesmen demanded a re design of the speaker.The re design was called series 2, and this is what they did to the speakers.Port tuning was raised by using 3 inch ports instead of the originals 6 inch ports, and a crossover change was also done.The Epic series 3 speakers had a lighter woofer for even more efficiency, but with a huge loss of sound quality.Many of you will probably want to try a pair of these marvelous speakers after reading this review, just stay away from the series 3's.The series ones are the most desirable, series two second.Series two can ALMOST be "restored" to series one performance by simply pulling the old 3 inch ports out, and replacing with 6 inch ports{They pull right out, easily}In stock form, the Horn runs too hot.These crossover to the Horn driver at around 1000 hz.Unless you place these on a wall or almost in a corner, the horn overwhelms the other drivers.And once on a wall, kiss your imaging bye bye too.Even on a wall/corner, the horns level is still too hot, making the speaker ruthless of equipment/source.The solution ?Remove the metal jumpers on the back of the speaker, and use two amps, and one MUST have level controls.Use one amp to power the woofers, and one to power the horn.About amplifiers, these seem to like high current big solid state amps best.Currently, I am using a GVD Audio on the woofers, and a little Parasound HCA 500 on the horn.My preamp is a Tube Dared with used GE NOS 12AT7 tubes I got from Jim McShane.I am using dual runs of Radio Shack flat speaker wire that Albert Von Schweikert turned me on to.These speakers are SUPER amp critical like many horns.That first 10 watts gotta be clean, or you will hear it.The GVD Audio P6500 has been a total surprise.It is a "pro sound" type amp with balanced connectors and cooling fans instead of heat sinks.My tech looked inside it, and flipped out. He said "This amp is a current mirror".I said WTF is a current mirror ?He told me it is an advanced amp design that cancels out distortion and allows for lower feedback.Ho hum, but HOW does it SOUND ? In this case, excellent.I have another GVD Audio p 6500 amp, but it sounds so good the way I have it, I am afraid to touch anything.I have B&W matrix 801's, they are my reference.Do the CF 3's sound like the Matrix 801's, not quite, but when I listen to the CF 3's, I dont miss my 801's.Does that make any sense ?The CF 3's are imaging Mo Fo's, and will cast a 3d sound field in a heartbeat.Do NOT "assume" a big box will not image.Imaging is very very good, almost single driver like.MAYBE it is because the 10 inch drivers are both in operation up to 1K and are becoming directional like a single driver speaker would ?The CF 3 also has a coherence about it, once the level on the horn is reduced.BTW,, once you are passively bi amped, you simply adjust the level of the amp that has level controls. You want to reduce the horns level relative to its woofers.Once you get it adjusted, you can also make "settings" on the amps level controls.We all know a bright speaker can sound great on the best recordings, but sound like shit on all else. The CF 3's, used in passive bi amp mode with level adjustment will allow you to have both an impress your audio buddies with detail speaker, and a speaker you can listen to ANYTHING on, all by simply turning a level control 6 clicks each way.Hey, I listen to audiophile stuff, sure, but I like Rock like Styx and REO and Scandal and Rick Springfield.I also like Tom Petty and Judas Priest and AC/ DC and Mary Chapin Carpenter and Dixie Chicks.The CF 3 will get "audiophile's", not QUITE like a Matrix 801, but few speakers will.In the last 4 years, I have went through many sets of speakers.VMPS RM 40's, Magnepan MG 3A's, Von Schweikert VR 4 Jr's, Magnepan SMGA's and Polk SRS 2's among others.All are gone except the Big Polks, only because I have gotten around to selling them.I kept my Matrix 801's.But the Matrix 801's just can't REALLY Rock like the CF 3's can.If anyone remembers Inmate Layman, he used to talk of a "warmth curve" some designers built into speakers.This is a gradually sloping response from around 1K downward to 20K.Maybe because the crossover point in the CF 3 is around 1K what the level adjustment of the amps is doing is simulating a warmth curve.Whatever - all I know is I can listen to ANYTHING, and easily make it sound good.It is amazing that Cd's we THOUGHT were "bad recordings" really are not that bad at all.Many of our so called "high end" speakers are little more then thin, bright speakers, tone controls we cant turn off.We give up on music we WANTED to listen to, and now only listen to audiophile stuff.Screw that, I want it ALL, and the CF 3, set up with amps it likes, comes pretty darn close to giving you what you want in a speaker.The BEST part of this whole review I saved for last.There are plenty of CF 3's and CF 4's around for under a grand.I bought my CF 3's version ones for 800.00, but version 2's go for around 600.00.Did they make me Tap My Toes ? No, I got up and started "conducting"They have a rich, full lower midrange, singers have chests, guitars have Body, Piano's have weight.Yes, they are a LITTLE colored, but in a musical way.They lack the extreme highs of the B&W Matrix 801 tweeter, but that is nitpicking.And the 801 has a better midrange, but you would be surprised how close the CF 3 comes to the 801.I was listening to Blackmore's Night, and the strings and trumpets were faithfully reproduced by the 801 and the CF 3.On Rock, it is no contest, the CF 3 kicks the 801's ass.If you like Rock, you will LOVE the Klipsch CF 3.My review only applies to a CF 3 run as I describe.A stock, non passively biamped CF 3 is hard to get sounding rightProduct Weakness: Extreme Highs not as good as best, amp fussy, big, need careful placement to sound best. Product Strengths: Powerful, efficient, musical, great imaging, low distortion, can be easily adjusted to be forgiving/Detailed/Transparent/MusicalAssociated Equipment for this Review:Amplifier: GVD Audio P6500 - Parasound HCA 500Preamplifier (or None if Integrated): Dared TubeSources (CDP/Turntable): CD ChangerSpeakers: B&W 801's - Polk SRS 2's - Von Schweikert Vortex ScreensCables/Interconnects: Radio Shack Flat speaker wire in true bi wireMusic Used (Genre/Selections): all kindsRoom Size (LxWxH): 20 x 24 x 8Room Comments/Treatments: suspended sloped ceiling, my fat assTime Period/Length of Audition: 2 yearsOther (Power Conditioner etc.): PowerVarType of Audition/Review: Product Owner This post is made possible by the generous support of people like you and our sponsors: Sonic Craft Topic - REVIEW: Klipsch Klipsch CF 3 Speakers - ka7niq 23:00:37 03/18/08 (17) I had the CF-2 - robber 10:17:12 03/21/08 (1) Shhhh Rob ..... Don't tell everyone ? - ka7niq 19:37:53 03/21/08 (0) What ever happened to those Cerwin Vegas? - Mike in NJ 10:39:40 03/20/08 (1) RE: What ever happened to those Cerwin Vegas? - ka7niq 19:15:38 03/21/08 (0) Twins seperated at birth? - Panelhead 08:12:43 03/19/08 (5) RE: Twins seperated at birth? - ka7niq 08:52:07 03/19/08 (4) Maybe not Originals - Panelhead 20:21:08 03/20/08 (3) What VERSION CF 3 ??? - ka7niq 19:24:18 03/21/08 (2) Had to be original CF 3 - Panelhead 08:01:28 03/22/08 (1) RE: Had to be original CF 3 - ka7niq 16:46:45 03/23/08 (0) K-63 - djk 00:04:52 03/19/08 (1) RE: K-63 - ka7niq 07:57:08 03/19/08 (0) Nuts! Now you've made me sorry I said 'pass' on a pair for $500!! - Otis W 23:25:39 03/18/08 (4) Why The Matrix 801 ?? - ka7niq 08:39:36 03/19/08 (3) One more that sounds like the B&W 801 - Atexanathome 17:53:49 03/19/08 (1) RE: One more that sounds like the B&W 801 - ka7niq 18:58:36 03/19/08 (0) Wow, great, great stuff, thanks KA7!! (nt) - Otis W 17:28:53 03/19/08 (0) FAQ Post a Message! Forgot Password? Moniker (Username): Password (Optional): Remember my Moniker & Password (What's this?) Eat Me E-Mail (Optional): Subject: Message: (Posts are subject to Content Rules) Optional Link URL: Optional Link Title: Optional Image URL: Upload Image: E-mail Replies: Automagically notify you when someone responds. To view your new posting or follow-up, click on the RELOAD or REFRESH button on your browser. [ Top of Page ] [ Contact Us ] [ Support/Wish List ] [ Copyright © 2024, Audio Asylum, all rights reserved ] [ General ] [ Speakers ] [ Tubes ] [ Vinyl ] [ Digital ] [ Hi-Rez ] [ Video Asylum ] [ Cables ] [ Tweaks/DIY ] [ Music ] [ Films ]

Axial vsradialmovement

Contact angle is the angle between a plane perpendicular to the ball bearing axis and a line joining the two points where the balls make contact with the inner and outer raceways. The initial contact angle of the bearing is directly related to radial play—the higher the radial play, the higher the contact angle-as well as its inner and outer track curvatures. A low contact angle is desirable for pure radial loads; a higher contact angle is recommended when thrust loading is predominant.

Feb 15, 2019 — Click here to get an answer to your question ✍️ What is the next term in the sequence? 6, 30, 150, 750, . . . 3750 4250 1450 1500.

19922, Type strain dsm-19922 dsm19922 dsm 19922 Azospirillum picis. Other collection no. or WDCM no.: IMMIB TAR-3,CCUG 55431. Isolated from: discarded road ...

When a ball bearing is running under a load, force is transmitted from one bearing ring to the other through the balls. Since the contact area between each ball and the rings is relatively small, moderate loads can produce stresses of tens, even hundreds of thousands of pounds per square inch. These internal stresses have a significant impact on a bearing's life and performance. The internal geometry of a bearing—its radial play, raceway curvature and contact angle—must be carefully chosen so loads will be distributed for optimal performance.

Radial playvs axialplay

Seal Cross-Reference ; Dexter #. Transcom #. National #. NOK #. Chicago Rawhide # ; 010–063-00. OB2233749. 370219 ...

Radial playin shaft

Precision and Efficiency: Internal bearing pullers are designed with precision in mind. They provide a secure grip on the bearing, ensuring that it is removed ...

What Are Wheel Bearings? ... Wheel bearings are small metal balls held within small rings that are designed to reduce rolling friction and allow the car's wheels ...

Amplifier: GVD Audio P6500 - Parasound HCA 500Preamplifier (or None if Integrated): Dared TubeSources (CDP/Turntable): CD ChangerSpeakers: B&W 801's - Polk SRS 2's - Von Schweikert Vortex ScreensCables/Interconnects: Radio Shack Flat speaker wire in true bi wireMusic Used (Genre/Selections): all kindsRoom Size (LxWxH): 20 x 24 x 8Room Comments/Treatments: suspended sloped ceiling, my fat assTime Period/Length of Audition: 2 yearsOther (Power Conditioner etc.): PowerVarType of Audition/Review: Product Owner

P25radial play

Most ball bearings are assembled so that a slight amount of looseness exists between the balls and the raceways. This looseness is referred to as radial play and axial play. Radial play is the maximum distance that one bearing ring can be displaced with respect to the other in a direction perpendicular to the bearing axis when the bearing is in an unmounted state. Axial Play, or end play, is the maximum relative displacement between the two rings of an unmounted ball bearing in a direction parallel to the bearing axis.

Thin section bearings are different from conventional deep groove ball bearings in that cross-section of each series are designed to be a fixed size, which do ...

Radial playbearing

Since radial play and axial play are both consequences of the same degree of looseness between the components, they bear a mutual dependence, yet their values are usually quite different in magnitude. Radial play often varies between .0002 and .0020 in, while axial play may range from .001 to .010 in. The suggested radial play ranges for typical applications should always be consulted when a device is in the initial design phase.

New Hampshire Ball Bearings, Inc. (NHBB) is a leading manufacturer of precision bearings and complex bearing assemblies for the global aerospace, defense, medical, and high technology markets. The company is a subsidiary of MinebeaMitsumi Inc. and an integral part of the global brand, MinebeaMitsumi Aerospace.

Axialplayin bearings

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Associated Equipment for this Review:Amplifier: GVD Audio P6500 - Parasound HCA 500Preamplifier (or None if Integrated): Dared TubeSources (CDP/Turntable): CD ChangerSpeakers: B&W 801's - Polk SRS 2's - Von Schweikert Vortex ScreensCables/Interconnects: Radio Shack Flat speaker wire in true bi wireMusic Used (Genre/Selections): all kindsRoom Size (LxWxH): 20 x 24 x 8Room Comments/Treatments: suspended sloped ceiling, my fat assTime Period/Length of Audition: 2 yearsOther (Power Conditioner etc.): PowerVarType of Audition/Review: Product Owner

Axialplaymeasurement

The Klipsch Epic Series speakers were Klipsch's attempt at a "high end" sound.There are several models in the Epic Series, the CF 2, an dual 8" with a Horn, the CF 3 - A dual 10" speaker with a horn in the center, and the CF 4, a dual 12" with a horn.The cone drivers are of very high quality, and use Neodym Magnets.The compression driver has a 2" throat, and also uses Neo Magnets in the CF 3 and CF 4.The CF 2 uses a phenolic diaphragm compression driver, not sure of it's magnets.The CF 3 and CF 4 use an aluminum dome compression driver with Neodym magnets coupled to a Tractrix horn centered between the cone drivers.The crossover provides for easy bi wiring AND Passive Biamp, more on that later.The Epic series did not sell very well, and was not well received by the Klipsch dealers.It did not have that typical Klipsch sound {Thank God}, and was not as efficient as other Klipsch speakers.Being a quasi D'Appolito type array meant you had to sit down to really hear it, unlike the other Klipsch speakers that sounded "good" standing up.As a result of the dealers slow sales of the Epic Series, Klipsch Marketing Salesmen demanded a re design of the speaker.The re design was called series 2, and this is what they did to the speakers.Port tuning was raised by using 3 inch ports instead of the originals 6 inch ports, and a crossover change was also done.The Epic series 3 speakers had a lighter woofer for even more efficiency, but with a huge loss of sound quality.Many of you will probably want to try a pair of these marvelous speakers after reading this review, just stay away from the series 3's.The series ones are the most desirable, series two second.Series two can ALMOST be "restored" to series one performance by simply pulling the old 3 inch ports out, and replacing with 6 inch ports{They pull right out, easily}In stock form, the Horn runs too hot.These crossover to the Horn driver at around 1000 hz.Unless you place these on a wall or almost in a corner, the horn overwhelms the other drivers.And once on a wall, kiss your imaging bye bye too.Even on a wall/corner, the horns level is still too hot, making the speaker ruthless of equipment/source.The solution ?Remove the metal jumpers on the back of the speaker, and use two amps, and one MUST have level controls.Use one amp to power the woofers, and one to power the horn.About amplifiers, these seem to like high current big solid state amps best.Currently, I am using a GVD Audio on the woofers, and a little Parasound HCA 500 on the horn.My preamp is a Tube Dared with used GE NOS 12AT7 tubes I got from Jim McShane.I am using dual runs of Radio Shack flat speaker wire that Albert Von Schweikert turned me on to.These speakers are SUPER amp critical like many horns.That first 10 watts gotta be clean, or you will hear it.The GVD Audio P6500 has been a total surprise.It is a "pro sound" type amp with balanced connectors and cooling fans instead of heat sinks.My tech looked inside it, and flipped out. He said "This amp is a current mirror".I said WTF is a current mirror ?He told me it is an advanced amp design that cancels out distortion and allows for lower feedback.Ho hum, but HOW does it SOUND ? In this case, excellent.I have another GVD Audio p 6500 amp, but it sounds so good the way I have it, I am afraid to touch anything.I have B&W matrix 801's, they are my reference.Do the CF 3's sound like the Matrix 801's, not quite, but when I listen to the CF 3's, I dont miss my 801's.Does that make any sense ?The CF 3's are imaging Mo Fo's, and will cast a 3d sound field in a heartbeat.Do NOT "assume" a big box will not image.Imaging is very very good, almost single driver like.MAYBE it is because the 10 inch drivers are both in operation up to 1K and are becoming directional like a single driver speaker would ?The CF 3 also has a coherence about it, once the level on the horn is reduced.BTW,, once you are passively bi amped, you simply adjust the level of the amp that has level controls. You want to reduce the horns level relative to its woofers.Once you get it adjusted, you can also make "settings" on the amps level controls.We all know a bright speaker can sound great on the best recordings, but sound like shit on all else. The CF 3's, used in passive bi amp mode with level adjustment will allow you to have both an impress your audio buddies with detail speaker, and a speaker you can listen to ANYTHING on, all by simply turning a level control 6 clicks each way.Hey, I listen to audiophile stuff, sure, but I like Rock like Styx and REO and Scandal and Rick Springfield.I also like Tom Petty and Judas Priest and AC/ DC and Mary Chapin Carpenter and Dixie Chicks.The CF 3 will get "audiophile's", not QUITE like a Matrix 801, but few speakers will.In the last 4 years, I have went through many sets of speakers.VMPS RM 40's, Magnepan MG 3A's, Von Schweikert VR 4 Jr's, Magnepan SMGA's and Polk SRS 2's among others.All are gone except the Big Polks, only because I have gotten around to selling them.I kept my Matrix 801's.But the Matrix 801's just can't REALLY Rock like the CF 3's can.If anyone remembers Inmate Layman, he used to talk of a "warmth curve" some designers built into speakers.This is a gradually sloping response from around 1K downward to 20K.Maybe because the crossover point in the CF 3 is around 1K what the level adjustment of the amps is doing is simulating a warmth curve.Whatever - all I know is I can listen to ANYTHING, and easily make it sound good.It is amazing that Cd's we THOUGHT were "bad recordings" really are not that bad at all.Many of our so called "high end" speakers are little more then thin, bright speakers, tone controls we cant turn off.We give up on music we WANTED to listen to, and now only listen to audiophile stuff.Screw that, I want it ALL, and the CF 3, set up with amps it likes, comes pretty darn close to giving you what you want in a speaker.The BEST part of this whole review I saved for last.There are plenty of CF 3's and CF 4's around for under a grand.I bought my CF 3's version ones for 800.00, but version 2's go for around 600.00.Did they make me Tap My Toes ? No, I got up and started "conducting"They have a rich, full lower midrange, singers have chests, guitars have Body, Piano's have weight.Yes, they are a LITTLE colored, but in a musical way.They lack the extreme highs of the B&W Matrix 801 tweeter, but that is nitpicking.And the 801 has a better midrange, but you would be surprised how close the CF 3 comes to the 801.I was listening to Blackmore's Night, and the strings and trumpets were faithfully reproduced by the 801 and the CF 3.On Rock, it is no contest, the CF 3 kicks the 801's ass.If you like Rock, you will LOVE the Klipsch CF 3.My review only applies to a CF 3 run as I describe.A stock, non passively biamped CF 3 is hard to get sounding rightProduct Weakness: Extreme Highs not as good as best, amp fussy, big, need careful placement to sound best. Product Strengths: Powerful, efficient, musical, great imaging, low distortion, can be easily adjusted to be forgiving/Detailed/Transparent/MusicalAssociated Equipment for this Review:Amplifier: GVD Audio P6500 - Parasound HCA 500Preamplifier (or None if Integrated): Dared TubeSources (CDP/Turntable): CD ChangerSpeakers: B&W 801's - Polk SRS 2's - Von Schweikert Vortex ScreensCables/Interconnects: Radio Shack Flat speaker wire in true bi wireMusic Used (Genre/Selections): all kindsRoom Size (LxWxH): 20 x 24 x 8Room Comments/Treatments: suspended sloped ceiling, my fat assTime Period/Length of Audition: 2 yearsOther (Power Conditioner etc.): PowerVarType of Audition/Review: Product Owner

In most ball bearing applications, radial play is functionally more critical than axial play. While radial play has become the standard purchasing specification, you may also specify axial play requirements. Keep in mind, however, the values of radial play and axial play for any given bearing design are mathematically interdependent. Radial play is affected by any interference fit between the shaft and bearing I.D. or between the housing and bearing O.D. Since the important condition is the actual radial play remaining after assembly of the complete device, the radial play specification for the bearing must be modified in accordance with the discussion in the mounting and coding section.

Brand: Parts. SKU: 40202-9HC1A. Positions: Left Front, Right Front. Other Names: Front Hub, Hub Assembly. Road Wheel Description: Altima Hybrid. 2.5L.

All spherical roller bearings are in the SKF Explorer performance class and have been upgraded, featuring a combination of high-quality steel and an improved ...

face of the bearing will enable you to obtain long bearing life both at high operating temperatures, and in applications lacking a supplemental lubrication.

Topic - REVIEW: Klipsch Klipsch CF 3 Speakers - ka7niq 23:00:37 03/18/08 (17) I had the CF-2 - robber 10:17:12 03/21/08 (1) Shhhh Rob ..... Don't tell everyone ? - ka7niq 19:37:53 03/21/08 (0) What ever happened to those Cerwin Vegas? - Mike in NJ 10:39:40 03/20/08 (1) RE: What ever happened to those Cerwin Vegas? - ka7niq 19:15:38 03/21/08 (0) Twins seperated at birth? - Panelhead 08:12:43 03/19/08 (5) RE: Twins seperated at birth? - ka7niq 08:52:07 03/19/08 (4) Maybe not Originals - Panelhead 20:21:08 03/20/08 (3) What VERSION CF 3 ??? - ka7niq 19:24:18 03/21/08 (2) Had to be original CF 3 - Panelhead 08:01:28 03/22/08 (1) RE: Had to be original CF 3 - ka7niq 16:46:45 03/23/08 (0) K-63 - djk 00:04:52 03/19/08 (1) RE: K-63 - ka7niq 07:57:08 03/19/08 (0) Nuts! Now you've made me sorry I said 'pass' on a pair for $500!! - Otis W 23:25:39 03/18/08 (4) Why The Matrix 801 ?? - ka7niq 08:39:36 03/19/08 (3) One more that sounds like the B&W 801 - Atexanathome 17:53:49 03/19/08 (1) RE: One more that sounds like the B&W 801 - ka7niq 18:58:36 03/19/08 (0) Wow, great, great stuff, thanks KA7!! (nt) - Otis W 17:28:53 03/19/08 (0) FAQ Post a Message! Forgot Password? Moniker (Username): Password (Optional): Remember my Moniker & Password (What's this?) Eat Me E-Mail (Optional): Subject: Message: (Posts are subject to Content Rules) Optional Link URL: Optional Link Title: Optional Image URL: Upload Image: E-mail Replies: Automagically notify you when someone responds. To view your new posting or follow-up, click on the RELOAD or REFRESH button on your browser. [ Top of Page ] [ Contact Us ] [ Support/Wish List ] [ Copyright © 2024, Audio Asylum, all rights reserved ] [ General ] [ Speakers ] [ Tubes ] [ Vinyl ] [ Digital ] [ Hi-Rez ] [ Video Asylum ] [ Cables ] [ Tweaks/DIY ] [ Music ] [ Films ]

bearing